Untitled: Part One, 1981 (1981)
Filmmaker
Distinctions
1983 Whitney Biennial
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Canyon Cinema
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- Alaya
- Allures
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- Analytical Studies II: Un-Frame-Lines
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- Chartres Series
- Color of Love, The
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- Cooperation of Parts
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- Decodings
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- Dog Star Man
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- Downs Are Feminine
- Early Abstractions
- Earth is a Satellite of the Moon, The
- Eaux d’Artifice
- Empire
- Empty Suitcases
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- Eureka
- Fall of the House of Usher, The
- Film Portrait
- Four Shadows
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- Fuji
- Gawrsh, I Didn’t Know You Was a Lady
- Glimpse of the Garden
- Gloria!
- Golf Film
- H2O
- Invocation of My Demon Brother
- L’eclat du mal (The Bleeding Heart)
- Landscape and Desire
- Landscape Suicide
- Lead Shoes, The
- LMNO
- Lodz Symphony
- Looking for Mushrooms
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- Luck In Loose Plaster
- Manhatta
- March On Paris 1914 of General Von Kluck and His Memory of Jessie Holladay, The
- Massillon
- Mayhem
- Meshes of the Afternoon
- Motion Painting No. 1
- Movie, A
- Natural Selection
- Naughts Series
- New York Portrait, Chapter II
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- Notes for Jerome
- Offon
- On The Marriage Broker Joke as Cited by Sigmund Freud in Wit and its Relation to the Unconscious, or Can the Avant Garde Artist be Wholed
- Ontological Cowboy, The
- Optic Nerve
- Otherwise Explained Fires
- Our Lady of the Sphere
- Peggy and Fred in Hell: The 1st Cycle
- Pharaoh’s Belt, The
- Plain Talk and Common Sense (uncommon senses)
- Pressures of the Text, The
- Pull My Daisy
- Racing
- Red Thread, The
- Reminiscences of a Journey to Lithuania
- Rose Hobart
- Roslyn Romance (Is It Really True?): Intro. I and II
- Rushlight: East/West Cycle, Part II
- Scary Movie, The
- Serene Velocity
- Side/Walk/Shuttle
- Signal – Germany on the Air
- Sincerity III
- Sink or Swim
- Spectres of the Spectrum
- SSHTOORRTY
- Standard Gauge
- Stellar
- Study in Color and Black and White
- Study of a River
- Superhero
- Swiss Army Knife With Rats and Pigeons
- T.Z.
- Tarantella
- Three Homerics
- Time We Killed, The
- Tom, Tom, The Piper’s Son
- Tree of Knowledge (Elective Affinities IV)
- Trial Balloons
- Trip Down Market Street, A
- Tryst Haunt/The Harrowing
- Turning the Sleeping Machine
- Typewriting
- Underscan
- Untitled: Part One, 1981
- Valse Triste
- Variations
- Visibility: Moderate
- Water and Power
- What Farocki Taught
- Woman’s Touch, A
- filmmakers
- Ahwesh, Peggy
- Anger, Kenneth
- Baillie, Bruce
- Baldwin, Craig
- Bartlett, Scott
- Belson, Jordan
- Benning, James
- Bourque, Louise
- Brakhage, Stan
- Breer, Emily
- Breer, Robert
- Bute, Mary Ellen
- Child, Abigail
- Colburn, Martha
- Conner, Bruce
- Cornell, Joseph
- Deren, Maya
- Dick, Vivienne
- Dorsky, Nathaniel
- Eisenberg, Daniel
- Fischinger, Oskar
- Fisher, Holly
- Fisher, Morgan
- Frampton, Hollis
- Frank, Robert
- Friedrich, Su
- Gehr, Ernie
- Godmilow, Jill
- Gordon, Bette
- Gottheim, Larry
- Gutman, Walter
- Hammer, Barbara
- Hill, Jerome
- Holt, Nancy
- Hutton, Peter
- Iimura, Takahiko
- Jacobs, Ken
- Jones, William
- Jordan, Larry
- Jost, Jon
- Klahr, Lewis
- Kobland, Ken
- Land, Owen
- Leslie, Alfred
- Losier, Marie
- Mekas, Jonas
- Menken, Marie
- Monk, Meredith
- Moore, Sandy
- O’Neill, Pat
- Peterson, Sidney
- Reeves, Jennifer
- Rose, Peter
- Sanborn, Keith
- Sharits, Paul
- Sheeler, Charles
- Sherman, David
- Sherman, Stuart
- Smith, Harry
- Snow, Michael
- Sonbert, Warren
- Steiner, Ralph
- Strand, Chick
- Strand, Paul
- Thornton, Leslie
- Wallin, Michael
- Walworth, Dan
- Warhol, Andy
- Watson, James Sibley
- Webber, Melville
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