Andy Warhol

Films

Empire

Related Links

Artist’s Website

Senses of Cinema

Wikipedia

Archival Collections

Anthology Film Archives, Library

Anthology Film Archives.

Biographical files, [ca. 1920-1985], [ca. 1960-1970] (bulk).

ca. 52 cubic ft.

Arrangement of Materials: Alphabetical by name.

Brooklyn Museum

Warhol, Andy, 1928-1987.

Artist file.

4 folders.

Columbia University Libraries

Colaciello, Robert J.

Andy Warhol’s first film.

Publication Information: 1971.

42 p.

Harvard University, Houghton Library

Warhol, Andy, 1928-1987, collector.

Andy Warhol collection of photographs of actors, 1915-1967.

2 boxes (.5 linear ft.)

Arrangement of Materials: Arranged alphabetically by photographer.

Museum of Modern Art

Museum of Modern Art (New York, N.Y.)

Andy Warhol, a retrospective. 1989 : Archives pamphlet file : miscellaneous uncataloged material.

1 folder.

Museum of Modern Art

Warhol, Andy, 1928-1987.

Artist file : miscellaneous uncataloged material.

4 boxes.

Museum of Modern Art

WARHOL, ANDY, 1928-

Franklin Furnace artist file : miscellaneous uncataloged material.

1 folder.

Museum of Modern Art

Warhol, Andy.

PAD/D pamphlet file : miscellaneous uncataloged material.

1 folder.

Museum of Modern Art

Warhol, Andy.

Warhol, Andy : [photography bio file].

1 folder.

Smithsonian Institute, Archives of American Art

Washington Gallery of Modern Art (Washington, D.C.)

Washington Gallery of Modern Art interviews of artists, 1963 April-June [sound recording].

1 sound tape reel ; 7 in. (partially transcribed on 11 p.).

Smithsonian Institute, Archives of American Art

Weil, Stephen E.

Documents relating to the Andy Warhol estate, 1991-1994.

1.0 linear ft.

University of Minnesota, Twin Cities

Warhol, Andy, 1928-1987.

Andy Warhol collection, 1994-1997.

1 box (0.5 linear feet).

References

“Afterglow.” Film Comment 42.1 (2006): 58–59. Print.
Angell, Callie. “DOUBLING THE SCREEN: ANDY WARHOL’S OUTER AND INNER SPACE.” Millennium Film Journal 38 (2002): 19–34. Print.
Arthur, Paul. “Structural Film: Revisions, New Versions, and the Artifact.” Millennium Film Journal 1.2 (1978): 5–13. Print.
Assayas, Olivier. “Andy Warhol.” Projections 4 1/2 (1995): 15–17. Print.
Babitz, Eve. “The Soup Can as Big as the Ritz.” Movieline’s Hollywood Life 1 (1989): 42. Print.
Berkshire, Geoff. “Portraits of an Artist.” Hollywood Life 17.4 (2006): 84–89. Print.
Berlin, Gloria, and Bryan Bruce. “‘the Superstar Story’.” Cineaction 7 (1986): 52–64. Print.
Campbell, Russel. “Eight Notes on the Underground.” Velvet Light Trap: A Critical Journal of Film & Television 13 (1974): 45–46. Print.
Currie, Christopher. “Andy Warhol: Enigma, Icon, Master.” Semiotica 80 (1990): 253–263. Print.
Dannatt, Adrian. “Taylor Mead.” Interview. July 2008 : 93-94. Print.
Dixon, Wheeler Winston. “IT LOOKS AT YOU: NOTES ON THE ‘LOOK BACK’ IN CINEMA.” Post Script 13.1 (1993): 77–87. Print.
—. “The Early Films of Andy Warhol.” Classic Images (1993): 38–40. Print.
Duve, Thierry de. “Andy Warhol, or the Machine Perfected.” October (1989): 3–14. Print.
Egan, Brenna. “Warhol Back When….” Movieline’s Hollywood Life 15.8 (2004): 22–23. Print.
Farber, Stephen. “Warhol Faces the Big Screen Instead of the Silkscreen.” New York Times 139 (1989): 21. Print.
Fitzpatrick, Andrea D. “Why Warhol Now?” Afterimage 34.5 (2007): 6–9. Print.
Fremont, Vincent. “Brigid Berlin.” Interview. July 2008 : 92-93. Print.
Gallo, Phil. “Andy Warhol: A Documentary Film.” Daily Variety 292.43 (2006): 2–7. Print.
Giltz, Michael. “Lou Reed on Andy Warhol.” New York 28 (1995): 75. Print.
Grundmann, Roy. “Masters of Ceremony: Media Demonstration as Performance in Three Instances of Expanded Cinema.” Velvet Light Trap: A Critical Journal of Film & Television 54 (2004): 48–64. Print.
Gustafson, Irene. “Putting Things to the Test: Reconsidering Portrait of Jason.” Camera Obscura 26.77 (2011): 1–30.
Hainley, Wayne. “Idol Chat.” Artforum International. Summer 2002 : 148-52. Print.
Haladyn, Julian Jason. “Empire of Boring: The Unbearable Duration of Andy Warhol’s Films.” Kinema 35 (2011): 105–113. Print.
Harcourt, Peter. “Wotcha Lookin’ at, Anyway?” Cineaction 61 (2003): 2–9. Print.
Hitchens, Christopher. “The Importance of Being Andy: The Warhol’s Worlds..” Critical Quarterly 38.1 (1996): 13. Print.
James, David. “Peregrinations of the Avant Garde: The Chelsea Girls Go to Russia.” Millennium Film Journal 38 (2002): 9–18. Print.
James, David E. “Amateurs in the Industry Town: Stan Brakhage and Andy Warhol in Los Angeles.” Grey Room. Summer 2003 : 80-93. Print.
—. “The Unsecret Life: a Warhol Advertisement.” October (1991): 21–41. Print.
Jensen, Elizabeth. “American Masters: Andy Warhol: A Documentary Film.” Television Week 26.23 (2007): 58–59. Print.
Joseph, Branden W. “‘My Mind Split Open’: Andy Warhol’s Exploding Plastic Inevitable.” Grey Room 8 (2002): 80–107.
—. “The Play of Repetition: Andy Warhol’s Sleep.” Grey Room. Spring 2005 : 22-53. Print.
Kauffmann, Stanley. “Pop Art and Bulls.” New Republic. 25 Mar. 1991 : 28-29. Print.
King, Homay. “Girl Interrupted: The Queer Time of Warhol’s Cinema.” Discourse: Journal for Theoretical Studies in Media & Culture. Winter 2006 : 73-98. Print.
Koch, Stephen. “Warhol.” New Republic 160.17 (1969): 24–27. Print.
Koestenbaum, Wayne. “Andy Warhol: Screen Tests.” Artforum 42 (2003): 166. Print.
Kreps, Karen. “Superstar: The Life and Times of Andy Warhol.” Boxoffice. Dec. 1990 : 41-51. Print.
Lieberman, Rhonda. “Andy Warhol Photography.” Artforum 39 (2001): 131. Print.
Lyon, Nelson. “Paul Morrissey.” Interview. July 2008 : 107-8. Print.
“Magnificent Obsession.” Sight & Sound 22.3 (2012): 24–25. Print.
Maslin, Janet. “Review/film: Warhol: The Man Behind the Can.” New York Times. 22 Feb. 1991 : CC8. Print.
Mattick, Paul. “The Andy Warhol of Philosophy and the Philosophy of Andy Warhol.” Critical Inquiry 24 (1998): 965–987. Print.
McElhatten, Mark. “Viva L’Amour.” Film Comment 42.1 (2006): 60–65. Print.
McInerney, Jay. “Did Andy Warhol Overlook Me?” New York Times 138 (1989): AA29. Print.
Michelson, Annette. “‘Where Is Your Rupture?’: Mass Culture and the Gesamtkunstwerk.” October (1991): 42–63. Print.
Miller, Cynthia J. “The Democratic Embrace: Ric Burns’s Andy Warhol: A Documentary Film.” Journal of Popular Film & Television 35.2 (2007): 78–85. Print.
O’Brien, Glenn. “Andy Warhol.” Interview. July 2008 : 130-33. Print.
O’Pray, Michael. “The Big Wig.” Sight & Sound 9.10 (1999): 20–22. Print.
Osterweil, Ara. “Ang Lee’s Lonesome Cowboys.” Film Quarterly 60.3 (2007): 38–42. Print.
Picard, Andréa. “Like a Total Eclipse, or a Supernova.” Cinema Scope 29 (2007): 66–68. Print.
RIGGLE, NICHOLAS ALDEN. “Street Art: The Transfiguration of the Commonplaces.” Journal of Aesthetics & Art Criticism 68.3 (2010): 243–257.
Roddick, Nick. “The Last Maverick.” Sight & Sound. 2010 : 24-27. Print.
Romero, Michele, and Tanner Stransky. “Warhol Lives On.” Entertainment Weekly 916 (2007): 14. Print.
“Screen Education Events.” Screen Education 37 (2005): 4–6. Print.
Shattuc, Jane. “Contra Brecht: R. W. Fassbinder and Pop Culture in the Sixties.” Cinema Journal 33.1 (1993): 35–54. Print.
Siegel, Marc. “Vaginal Davis’s Gospel Truths.” Camera Obscura 23.67 (2008): 151–159.
Sischy, Ingrid. “INTERVIEW. (cover Story).” Interview. Feb. 2007 : 168+. Print.
Smith, Rupert. “Porn’s Dawn.” Gay Times. July 2005 : 26-28. Print.
“Society Pages.” Interview. July 2008 : 135-36. Print.
Taubin, Amy. “Accidents Will Happen.” Film Comment 42.5 (2006): 56–59. Print.
—. “Andy Warhol: Motion Pictures.” Artforum International 49.7 (2011): 260–261. Print.
—. “Roll Forever.” Sight & Sound 17.8 (2007): 16. Print.
Thomson, Patricia. “Warhol Factory Filmmaker Comes to Light.” American Cinematographer 85.3 (2004): 99–100. Print.
Tofts, Darren. “ANDY WARHOL: ‘GIANT’ SIZE.” Metro 149 (2006): 252–253. Print.
Travers, Peter. “Superstar: The Life and Times of Andy Warhol.” Rolling Stone. 7 Mar. 1991 : 90. Print.
Tropiano, Stephen. “JOE DALLESANDRO-A ‘HIM’ TO THE GAZE: Flesh, Heat and Trash.” Spectator: The University of Southern California Journal of Film & Television 10.1 (1989): 46–55. Print.
Uhlin, Graig. “Sound and Speech in Andy Warhol’s Films.” Quarterly Review of Film & Video 26.4 (2009): 322–338.
UHLIN, GRAIG. “TV, Time, and the Films of Andy Warhol.” Cinema Journal. Spring 2010 : 1-23. Print.
Verevis, Constantine. “‘Moldy Art’: The Exotic World of Jack Smith.” Studies in Documentary Film 4.2 (2010): 173–186.
Vogel, Carol. “Andy Warhol Estate’s Value Put at $220 Million, a Decline.” New York Times 142 (1993): A1. Print.
Workman, Chuck. “On the Trail of Andy Warhol: Soup, Sex and Rock-and-roll.” New York Times 140 (1991): 11. Print.
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