Peggy Ahwesh

Films

Color of Love, The

Deadman, The

Scary Movie, The

Related Links

Canyon Cinema

Film-Makers’ Cooperative

Senses of Cinema

Wikipedia

Archival Collections

Whitney Museum of American Art

Ahwesh, Peggy.

Peggy Ahwesh artist file.

1 folder.

References

Ahwesh, Peggy. “Lara Croft: Tomb Raider.” Film Comment 37.4 (2001): 77. Print.
—. “Nude Deal.” Village Voice 43 (1998): 110. Print.
—. “Peggy Ahwesh.” Felix 2 (1999): 194–197. Print.
—. “‘The Deadman’s’ Drunk Scene Written.” Motion Picture 3 (1989): 29–30. Print.
Chang, Chris. “New York.” Film Comment 30.6 (1994): 77. Print.
Dargis, Manohla. “Film: These Three.” Village Voice 34 (1989): 74. Print.
—. “Slant.” Artforum. May 1990: 29-30. Print.
HILDERBRAND, LUCAS. “Introduction: Experiments in Documentary: Contradiction, Uncertainty, Change.” Millennium Film Journal 51 (2009): 2–10. Print.
Jones, Kristin M. “Peggy Ahwesh: Whitney Museum.” Artforum 36 (1997): 118–119. Print.
Klawans, Stuart. “The Deadman.” Nation. 18 June 1990 : 871. Print.
Lehrer, Jeremy. “Peggy Ahwesh.” Independent (Foundation for Independent Video & Film) 22 (1999): 14–15. Print.
Macdonald, Scott. “Peggy Ahwesh.” Millennium Film Journal. Winter 2003 : 1-32. Print.
Margulies, Ivone. “After the Fall: Peggy Ahwesh’s Verite.” Motion Picture 3 (1989): 31–33. Print.
Marks, Laura U. “Loving a Disappearing Image.” Cinemas 8 (1997): 93–111. Print.
Montgomery, Jennifer. “Her Logic Is in Contradiction: The Films of Peggy Ahwesh.” Cinematograph 3 (1988): 39–42. Print.
—. “Lesbian Viewing and Perversity.” Jump Cut (1992): 74–78. Print.
Nichols, Bill, and Gerald Peary. “Children, Art, Sex, Pornography: Jennifer Montgomery’s Art for Teachers of Children.” Camera Obscura 39 (1996): 34–51. Print.
“River Wild.” Film Comment 44.3 (2008): 6–8. Print.
Russell, Catherine. “Independents and Independence: Culture as Fiction: The Ethnographic Impulse in the Films of Peggy Ahwesh, Su Friedrich, and Leslie Thornton.” New American Cinema (1998): 353–378. Print.
Smith, Gavin. “The Way of All Flesh.” Film Comment 31.4 (1995): 18. Print.
Strosser, Margie. “Edge of the Continent.” Felix 2 (1995): 312–315. Print.
Taubin, Amy. “The Killer Inside Her.” Village Voice. 18 Apr. 1995 : 51. Print.
—. “Women on Top.” Village Voice 42 (1997): 74. Print.
Weissberg, Jay. “Certain Women.” Variety Movie Reviews (2004): 1. Print.
Willis, Holly. “High Risk Performance.” Release Print (2004): 32–33. Print.
—. “The Devil Is a Woman: Notes on the Adaptation of Georges Bataille’s ‘The Dead Man.’” Spectator: The University of Southern California Journal of Film & Television 14 (1993): 36–43. Print.
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