avant-garde film index

Ahwesh, Peggy. “Lara Croft: Tomb Raider.” Film Comment 37.4 (2001): 77. Print.

—. “Nude Deal.” Village Voice 43 (1998): 110. Print.

—. “Peggy Ahwesh.” Felix 2 (1999): 194–197. Print.

—. “‘The Deadman’s’ Drunk Scene Written.” Motion Picture 3 (1989): 29–30. Print.

Chang, Chris. “New York.” Film Comment 30.6 (1994): 77. Print.

Dargis, Manohla. “Film: These Three.” Village Voice 34 (1989): 74. Print.

—. “Slant.” Artforum. May 1990: 29-30. Print.

HILDERBRAND, LUCAS. “Introduction: Experiments in Documentary: Contradiction, Uncertainty, Change.” Millennium Film Journal 51 (2009): 2–10. Print.

Jones, Kristin M. “Peggy Ahwesh: Whitney Museum.” Artforum 36 (1997): 118–119. Print.

Klawans, Stuart. “The Deadman.” Nation. 18 June 1990 : 871. Print.

Lehrer, Jeremy. “Peggy Ahwesh.” Independent (Foundation for Independent Video & Film) 22 (1999): 14–15. Print.

Macdonald, Scott. “Peggy Ahwesh.” Millennium Film Journal. Winter 2003 : 1-32. Print.

Margulies, Ivone. “After the Fall: Peggy Ahwesh’s Verite.” Motion Picture 3 (1989): 31–33. Print.

Marks, Laura U. “Loving a Disappearing Image.” Cinemas 8 (1997): 93–111. Print.

Montgomery, Jennifer. “Her Logic Is in Contradiction: The Films of Peggy Ahwesh.” Cinematograph 3 (1988): 39–42. Print.

—. “Lesbian Viewing and Perversity.” Jump Cut (1992): 74–78. Print.

Nichols, Bill, and Gerald Peary. “Children, Art, Sex, Pornography: Jennifer Montgomery’s Art for Teachers of Children.” Camera Obscura 39 (1996): 34–51. Print.

“River Wild.” Film Comment 44.3 (2008): 6–8. Print.

Russell, Catherine. “Independents and Independence: Culture as Fiction: The Ethnographic Impulse in the Films of Peggy Ahwesh, Su Friedrich, and Leslie Thornton.” New American Cinema (1998): 353–378. Print.

Smith, Gavin. “The Way of All Flesh.” Film Comment 31.4 (1995): 18. Print.

Strosser, Margie. “Edge of the Continent.” Felix 2 (1995): 312–315. Print.

Taubin, Amy. “The Killer Inside Her.” Village Voice. 18 Apr. 1995 : 51. Print.

—. “Women on Top.” Village Voice 42 (1997): 74. Print.

Weissberg, Jay. “Certain Women.” Variety Movie Reviews (2004): 1. Print.

Willis, Holly. “High Risk Performance.” Release Print (2004): 32–33. Print.

—. “The Devil Is a Woman: Notes on the Adaptation of Georges Bataille’s ‘The Dead Man.’” Spectator: The University of Southern California Journal of Film & Television 14 (1993): 36–43. Print.