Michael Snow
Films
SSHTOORRTY
Related Links
Canyon Cinema
Film-Makers’ Cooperative
Wikipedia
Archival Collections
Anthology Film Archives, Library
Anthology Film Archives.
Biographical files, [ca. 1920-1985], [ca. 1960-1970] (bulk).
ca. 52 cubic ft.
Arrangement of Materials: Alphabetical by name.
Anthology Film Archives, Library
Anthology Film Archives.
Essential cinema repertory collection, [ca. 1915-1972], [ca. 1960-1970] (bulk)
ca. 360 films, 8mm, 16mm, 35 mm.
Anthology Film Archives, Library
Anthology Film Archives.
Film stills collection, [ca. 1920-1970], [ca. 1960-1970] (bulk).
ca. 12 cubic ft.
Arrangement of Materials: Alphabetical by name of director.
Anthology Film Archives, Library
Anthology Film Archives.
Study collection, [ca. 1900-1985], 1950-1985 (bulk)
ca. 1,000 films.
Brooklyn Museum
Snow, Michael, 1929-
Artist file.
1 folder.
Getty Research Institute, Research Library
Getty Research institute. Contemporary Programs and Research.
Suspending Time : Sound and Image in the Work of Tony Conrad and Michael Snow, April 19-20, 2005.
10 recordings (10 DVDs) photographic documentation and 1 flyer.
Museum of Modern Art
Snow, Michael, 1929-
Artist file : miscellaneous uncataloged material.
1 folder.
Museum of Modern Art
SNOW, MICHAEL, 1929-
Franklin Furnace artist file : miscellaneous uncataloged material.
1 folder.
Museum of Modern Art
Snow, Michael.
Snow, Michael : [photography bio file].
1 folder.
National Gallery of Canada
National Gallery of Canada.
Autour de 30 oeuvres de Michael Snow [exhibition records] = About 30 works by Michael Snow.
Varying Form of Title: About 30 works by Michael Snow.
Varying Form of Title: About thirty works by Michael Snow.
Varying Form of Title: Autour de trente oeuvres de Michael Snow.
Publication Information: 1972.
4.3 cm of textual records.
32 photographs.
References
Arnaud, Jean. “Touching to See.” October. Fall 2005 : 5-16. Print.
Bullot, Erik. “Keaton and Snow.” October. Fall 2005 : 17-28. Print.
Le Cain, Maximilian. “The 2007 Lucca Film Festival 28 September – 6 October 2007.” Senses of Cinema 46 (2008): 33. Print.
Campbell, Russel. “Eight Notes on the Underground.” Velvet Light Trap: A Critical Journal of Film & Television 13 (1974): 45–46. Print.
Cantrill, Arthur. “The Collected Writings of Michael Snow – the Michael Snow Project [Book Review].” Cantrill’s Filmnotes (1994): 60. Print.
Choi, Jinhee. “Apperception on Display: Structural Films and Philosophy.” Journal of Aesthetics & Art Criticism. Winter 2006 : 165-72. Print.
Elder, Kathryn. “Report from Toronto.” Millennium Film Journal 10/11 (1981): 176–180. Print.
Grant, Barry. “Toronto International Film Festival 8-17 September, 2005.” Film International (16516826) 4.19 (2006): 95–98. Print.
Hodsdon, Barrett. “The Spectre of Michael Snow & ’90s Film Culture.” Filmnews 25 (1995): 8–9. Print.
Holboom, Mike. “Michael Snow’s ‘Seated Figures.’” Millennium Film Journal (1989): 30–36. Print.
“Hollis Frampton: Three Talks at Millennium.” Millennium Film Journal 16-18 (1986): 274–294. Print.
Johnson, Ken. “Being and Seeing: Michael Snow.” Art in America 82 (1994): 70. Print.
Kehr, Dave. “Toronto 1.” Film Comment 36.6 (2000): 63. Print.
De Lauretis, Teresa. “Snow on the Oedipal Stage.” Screen 22.3 (1981): 24–39. Print.
Lessard, Bruno. “Between Creation and Preservation: The ANARCHIVE Project.” Convergence: The Journal of Research into New Media Technologies 15.3 (2009): 315–331.
Michelson, Annette. “The Sound of Music: A Conversation with Michael Snow.” October. Fall 2005 : 43-60. Print.
Penley, Constance, and Janet Bergstrom. “The Avant-Garde: Histories and Theories.” Screen 19.3 (1978): 113–127. Print.
Peranson, Mark. “Still Opening the Doors of Perception.” Cinema Scope (2002): 15–17. Print.
Princenthal, Nancy. “Michael Snow at White Box.” Art in America 89 (2001): 173–174. Print.
Rumsby, Martin. “Canadian Snow.” Illusions (1999): 10–16. Print.
Simon, Bill. “A Completely Open Space: Michael Snow’s’ La Region Centrale.” Millennium Film Journal 4/5 (1979): 93–100. Print.
Sinclair, Craig. “Audition: Making Sense Of/in the Cinema.” Velvet Light Trap: A Critical Journal of Film & Television 51 (2003): 17. Print.
Turvey, Malcolm. “Dr. Tube and Mr. Snow.” Millennium Film Journal 43/44 (2005): 130–140. Print.
—. “The Child in the Machine: On the Use of CGI in Michael Snow’s Corpus Callosum.” October. Fall 2005 : 29-42. Print.
Varela, Willie. “Canada’s Multimedia Master: An E-Mail Interview with Michael Snow.” Journal of Film & Video. Summer 2005 : 23-32. Print.
Wartenberg, Thomas E. “Beyond Mere Illustration: How Films Can Be Philosophy.” Journal of Aesthetics & Art Criticism. Winter 2006 : 19-32. Print.
Zryd, Michael. “Avant-Garde Films: Teaching Wavelength.” Cinema Journal Fall 2007 : 109–112. Print.
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