Kenneth Anger
Films
Invocation of My Demon Brother
Related Links
Artist’s Website
Canyon Cinema
Senses of Cinema
Wikipedia
Archival Collections
Anthology Film Archives, Library
Anthology Film Archives.
Biographical files, [ca. 1920-1985], [ca. 1960-1970] (bulk).
ca. 52 cubic ft.
Arrangement of Materials: Alphabetical by name.
Anthology Film Archives, Library
Anthology Film Archives.
Film stills collection, [ca. 1920-1970], [ca. 1960-1970] (bulk)
ca. 12 cubic ft.
Arrangement of Materials: Alphabetical by name of director.
Anger, Kenneth.
Artist file : miscellaneous uncataloged material.
1 folder.
Whitney Museum of American Art
Anger, Kenneth.
Kenneth Anger artist file.
1 folder.
References
Allison, Deborah. “Eaux d’Artifice: Wet Dreams and Water Sports in the Garden of Delights.” Senses of Cinema 46 (2008): 19. Print.
Anger, Kenneth. “Letter to Amos Vogel from Kenneth Anger, 10/15/55.” Wide Angle 19 (1997): 49. Print.
—. “Letter to Amos Vogel from Kenneth Anger, 10/29/57.” Wide Angle 19 (1997): 87–88. Print.
—. “Letter to Amos Vogel from Kenneth Anger, 11/26/54.” Wide Angle 19 (1997): 42–43. Print.
—. “Letter to Amos Vogel from Kenneth Anger, 2/23/54.” Wide Angle 19 (1997): 28–30. Print.
—. “Letter to Amos Vogel from Kenneth Anger, 8/28/54.” Wide Angle 19 (1997): 34–35. Print.
—. “Valentino Remembered – in Italy.” Classic Images (1995): 53. Print.
Auster, Al. “Hollywood Babylon.” Cineaste 7.1 (1975): 44. Print.
Brook, Vincent. “Puce Modern Moment: Camp, Postmodernism, and the Films of Kenneth Anger.” Journal of Film & Video 58.4 (2006): 3–15. Print.
Cagle, Robert L. “Auto-eroticism: Narcissism, Fetishism, and Consumer Culture.” Cinema Journal 33 (1994): 23–33. Print.
—. “Auto-Eroticism: Narcissism, Fetishism, and Consumer Culture.” Cinema Journal 33.4 (1994): 23–33. Print.
Carroll, Noël. “Identity and Difference: From Ritual Symbolism to Condensation in Inauguration of the Pleasure Dome.” Millennium Film Journal. Spring80 1980: 31-42. Print.
Cosgrove, Stuart. “The Art of Scandal.” New Statesman & Society 3 (1990): 25–26. Print.
Cousins, Mark. “The Wild Bunch.” Sight & Sound 19.9 (2009): 22–23. Print.
Crawford, Travis. “Confessions of A Dangerous Mind.” MovieMaker 14.70 (2007): 114–115. Print.
Cunliffe, Patricia. “The Meaning of Anger.” AMASS 12 (2003): 51–60. Print.
Daly, Steven, and David Kamp. “THE FILM SNOBS’S DICTIONARY VOL. 2.” Vanity Fair. Mar. 2004 : 332-4. Print.
Fischer, Lucy. “Rabbit’s Moon: The Pierrot Figure in Theater, Painting and Film.” Millennium Film Journal 10/11 (1981): 123–139. Print.
From “Inauguration of the Pleasure Dome.” 2007. Print.
Gerstner, David Anthony. “Queer Angels of History Take It and Leave It from Behind.” Stanford Humanities Review 7 (1999): 150–165. Print.
Gunning, Tom. “Magick Weapon.” Artforum International 45.7 (2007): 99–100. Print.
Haller, Robert. “Moving Bodies After Maya Deren.” Dance on Camera Journal 9.5 (2006): 1. Print.
Haug, Kate. “An Interview with Kenneth Anger.” Wide Angle 18 (1996): 74–92. Print.
Hays, Matthew. “Kenneth Anger, Director: Fireworks at Sixty.” Gay & Lesbian Review Worldwide. Apr. 2007: 46-7. Print.
Hukku, Sanjay. “Anger Rising.” Soma 22.1 (2008): 10. Print.
James, David. “Peregrinations of the Avant Garde: The Chelsea Girls Go to Russia.” Millennium Film Journal 38 (2002): 9–18. Print.
“Kenneth Anger [additions and Corrections].” Film Dope (1988): 22–23. Print.
“Look Back at Anger.” Sight & Sound 14.10 (2004): 4–5. Print.
Lowry, Ed. “The Appropriation of Signs in SCORPIO RISING.” Velvet Light Trap: A Critical Journal of Film & Television 20 (1983): 41–46. Print.
Maddin, Guy. “Everyone Needs a Sailor Friend.” Film Comment 43.3 (2007): 36–39. Print.
Margulies, Ivone. “After the Fall: Peggy Ahwesh’s Verite.” Motion Picture 3 (1989): 31–33. Print.
May, Richard P. “Hollywood—October 2007.” SMPTE Motion Imaging Journal. Vol. 116. 2007. 488–489. Print.
N. J. “The Films of Kenneth Anger – Volume One.” Sight & Sound 17.7 (2007): 88–89. Print.
Rayns, Tony. “Inflammable Desires.” Sight & Sound 19.7 (2009): 32–36. Print.
Scott, Marcia. “Cinema of the Occult.” Release Print 30.4 (2007): 30–31. Print.
Smith, Rupert. “Heroes & Villains: Kenneth Anger.” Gay Times. Nov. 2007 : 226. Print.
—. “Porn’s Dawn.” Gay Times. July 2005 : 26-8. Print.
STULTS, CHRIS. “Collective Unconscious.” Film Comment 46.3 (2010): 58–63. Print.
Suarez, Juan. “Kenneth Anger’s ‘Scorpio Rising’: Avant-garde Textuality and Social Performance.” Cinefocus 2 (1992): 20–31. Print.
SUÁREZ, JUAN A. “Myth, Matter, Queerness: The Cinema of Willard Maas, Marie Menken, and the Gryphon Group, 1943-1969.” Grey Room. Summer 2009 : 58-87. Print.
Toop, David. “Cold World: The Deathly Void of Sound.” Soundtrack 2.2 (2009): 87–97.
Varela, Willie. “We Will Not Go Quietly: Some Thoughts on the Avant-Garde, Then and Now.” Journal of Film & Video 57.1/2 (2005): 3–8. Print.
Vogel, Amos. “Letter to Kenneth Anger from Amos Vogel, 11/27/57.” Wide Angle 19 (1997): 89–90. Print.
—. “Letter to Kenneth Anger from Amos Vogel, 4/23/53.” Wide Angle 19 (1997): 12. Print.
—. “Letter to Kenneth Anger from Amos Vogel, 4/23/56.” Wide Angle 19 (1997): 62. Print.
—. “Letter to Kenneth Anger from Amos Vogel, 9/21/54.” Wide Angle 19 (1997): 36. Print.
Witmer, Jon D. “Road Warriors.” American Cinematographer 92.10 (2011): 28–43. Print.
avant-garde film index 
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