Ken Jacobs
Films
Related Links
Artist’s Website
Film-Makers’ Cooperative
Wikipedia
References
“Alternatives & REVIVALS.” Village Voice. 17 Jan. 2007 : 68-69. Print.
ANDERSON, DANA. “I MISS YOU ALREADY: A PHENOMENOLOGICAL UNDERSTANDING OF KEN JACOBS’S CIRCLING ZERO: WE SEE ABSENCE.” Afterimage 36.2 (2008): 18–23. Print.
Arthur, Paul. “Creating Spectacle from Dross: The Chimeric Cinema of Ken Jacobs.” Film Comment 33.2 (1997): 58. Print.
—. “Lines of Sight: a Travelogue.” Millennium Film Journal (2000): 60–71. Print.
“Azazel Jacobs.” MovieMaker 15.74 (2008): 66–67. Print.
Boone, Charles. “Memorials in Slowed Time: Morton Feldman, composer/Ken Jacobs, Filmmaker.” Cinematograph 5 (1993): 58–62. Print.
Crouse, Edward. “ODD ENDS. (cover Story).” Cinema Scope. Spring 2004 : 34-38. Print.
Dixon, Wheeler Winston. “Treasures IV: American Avant-Garde Film, 1947-1986 Image Entertainment.” Senses of Cinema 51 (2009): 43. Print.
Eisenstein, Ken. “On Tic / Tic on Optic Antics: The Cinema of Ken Jacobs.” Millennium Film Journal 55 (2012): 10–12. Print.
Foundas, Scott. “Momma’s Man.” Variety Movie Reviews (2008): 1. Print.
Gunning, Tom. “Doctor Jacobs’ Dream Work.” Millennium Film Journal 10/11 (1981): 210–218. Print.
Hampton, Julie. “An Interview with Ken Jacobs.” Millennium Film Journal. Fall 1998 : 131-40. Print.
Hanlon, Lindley. “Recycling Cinema: Urban Peasants by Ken Jacobs.” Millennium Film Journal 6 (1980): 117–120. Print.
Hanlon, Lindley, and Tony Pipolo. “Interview with Ken and Flo Jacobs.” Millennium Film Journal. Winter 1986 : 26-53. Print.
Herwitz, Peter. “Letter to Ken Jacobs.” Cinematograph 5 (1993): 50–51. Print.
Hoberman, J. “Across the Movi-verse.” Film Comment 48.2 (2012): 34–39. Print.
—. “Across the Movi-verse.” Film Comment 48.2 (2012): 34–39. Print.
Jones, Kristin M. “Ken Jacobs: Museum of Modern Art.” Artforum 35 (1997): 90–91. Print.
Jones, Michael. “Indie Fans Get Their ‘Man’.” Variety 412.6 (2008): 4–82. Print.
“Ken Jacobs.” Wide Angle 17 (1995): 33. Print.
“Ken Jacobs/‘XCXHXEXRXRXIXEXSX’ (‘Cherries,’ Performed Since 1980)/August 9, 1992.” Wide Angle 17 (1995): 135–144. Print.
Klinger, Gabe. “WE CAN’T GO HOME AGAIN.” Cinema Scope 48 (2011): 18–20. Print.
Martin, Adrian. “American Mess.” Film Quarterly 61.3 (2008): 70–71. Print.
“Memories.” Vertigo (UK) 2 (2003): 8. Print.
Perlmutter, Ruth. “Add Film to Rhetoric.” Literature Film Quarterly 3.4 (1975): 316. Print.
Picard, Andréa. “THE VIENNALE’S INCENDIARY FRAMES.” Cinema Scope 25 (2006): 63–66. Print.
“Round Table: Obsolescence and American Avant-Garde Film.” October. Spring 2002 : 115-132. Print.
Shapiro, David. “An Interview with Ken Jacobs.” Millennium Film Journal. Winter1977 1977 : 121-28. Print.
“Shortlist.” Village Voice 49.7 (2004): 50. Print.
Taubin, Amy. “Something for Everyone: If Not User-friendly, the Tribeca Film Festival Still Delivers.” Film Comment 43.4 (2007): 68–69. Print.
—. “Too Much of a Bad Thing.” Film Comment 48.1 (2012): 44–45. Print.
Testa, Bart. “The Two Religions of Avant-garde Film, or Maybe Three.” Canadian Journal of Film Studies 3 (1994): 89–100. Print.
Tissot, Florence. “Stars Spangled to Death.” Vertigo (09687904) 2.6 (2004): 41. Print.
Wees, William C. “‘How It Was Then’: Home Movies as History in Péter Forgács’ Meanwhile Somewhere….” Jump Cut: A Review of Contemporary Media 52 (2010): 2. Print.
White, Rob. “Easy Words.” Film Quarterly 61.3 (2008): 4–5. Print.
Worden, Fred. “Ken Jacobs’ ‘Chronometer.’” Cinematograph 5 (1993): 52–53. Print.
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