avant-garde film index

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Supported by a Carnegie-Whitney Grant from the American Library Association.

Brakhage, Stan

Stan Brakhage

Films

Black Ice

Chartres Series

Creation

Dog Star Man

Ephemeral Solidity

Naughts Series

Sincerity III

Stellar

Study in Color and Black and White

Three Homerics

Tryst Haunt/The Harrowing

Related Links

Canyon Cinema

Film-Makers’ Cooperative

Senses of Cinema

Wikipedia

Archival Collections

Anthology Film Archives, Library

Anthology Film Archives.

Biographical files, [ca. 1920-1985], [ca. 1960-1970] (bulk).

ca. 52 cubic ft.

Arrangement of Materials: Alphabetical by name.

Anthology Film Archives, Library

Anthology Film Archives.

Essential cinema repertory collection, [ca. 1915-1972], [ca. 1960-1970] (bulk)

ca. 360 films, 8mm, 16mm, 35 mm.

Anthology Film Archives, Library

Anthology Film Archives.

Film stills collection, [ca. 1920-1970], [ca. 1960-1970] (bulk).

ca. 12 cubic ft.

Arrangement of Materials: Alphabetical by name of director.

Anthology Film Archives, Library

Anthology Film Archives.

Study collection, [ca. 1900-1985], 1950-1985 (bulk)

ca. 1,000 films.

Columbia University Libraries

Beat poets and poetry papers, 1959-1969.

0.5 linear ft (41 items in 1 box).

Arrangement of Materials: Cataloged.

Library of Congress

Brakhage, Stan.

Stan Brakhage papers, 1953-1966.

.1 linear ft.

Museum of Modern Art

Brakhage, Stan.

Artist file : miscellaneous uncataloged material.

1 folder.

University at Buffalo, The State University of New York, Archives

Frontier Press collection, 1964-1972.

41 boxes (10.24 linear feet)

Arrangement of Materials: The collection is arranged in four series: Series I. Letters (17 alphabetized) — Series II. Manuscripts (16 alphabetized) — Series III. Peripherals (4 boxes) — Series IV. Art and photographs (4 boxes).

Finding Aid: http://libweb1.lib.buffalo.edu:8080/findingaids/view?docId=ead//poetry/ubpo_pcms0016.xml

University of Connecticut, Archives & Special Collections at the Thomas J. Dodd Research Center

Brakhage, Stan.

Stan Brakhage Papers.

undated, 1953-1966.

.1 linear feet.

Finding Aid: http://doddcenter.uconn.edu/asc/findaids/Brakhage/MSS19980199.html

Yale University, Beinecke Rare Book and Manuscript Library

Wodening, Jane, 1936-.

Jane Wodening and Stan Brakhage scrapbooks, 1958-1967.

3 v.

Digital Scans: http://beinecke.library.yale.edu/dl_crosscollex/SearchExecXC.asp?srchtype=CNO

References

“A Gift Has to Be A Surprise.” Millennium Film Journal 47-49 (2007): 46–63. Print.
Anker, Steve. “Brakhage Reminiscences.” Millennium Film Journal 41 (2003): 85–86. Print.
—. “Obituary: Stan Brakhage.” Film Comment June 2003 : 10. Print.
—. “Remembering Stan Brakhage: An E-mail Conversation Between Steve Anker and Willie Varela.” Journal of Film & Video 57.1/2 (2005): 9–22. Print.
Arthur, Paul. “Lines of Sight: a Travelogue.” Millennium Film Journal (2000): 60–71. Print.
—. “Qualities of Light.” Film Comment 31.5 (1995): 68. Print.
—. “Stan Brakhage.” Sight & Sound May 2003 : 3. Print.
—. “Structural Film: Revisions, New Versions, and the Artifact.” Millennium Film Journal 1.2 (1978): 5–13. Print.
Atkinson, Michael. “Stan Brakhage: 1977-1995.” Village Voice 40 (1995): 47. Print.
Aurand, Ute. “Into View: A Two Programme Dialogue.” Vertigo (09687904) 3.9 (2008): 71. Print.
Baillie, Bruce. “BRAKHAGE, SPOKEN IN MEMORY, 17 MARCH 2003.” Millennium Film Journal. Fall 2003 : 81. Print.
Brakhage, Jane. “The Autobiography of Stan Brakhage.” Motion Picture 2 (1987): 8. Print.
Brakhage, Marilyn. “A Snail’s Trail in the Moonlight.” Vertigo (UK) 2003 : 6. Print.
—. “RHYTHMS OF VISION IN STAN BRAKHAGE’S CITY STREAMING.” Canadian Journal of Film Studies 14.1 (2005): 5–11. Print.
Brakhage, Stan. “[This Blunt Type-writ-talk].” Cinematograph 5 (1993): 13. Print.
—. “Gertrude Stein: Meditative Literature and Film.” Millennium Film Journal (1991): 100–107. Print.
—. “Letter to Amos Vogel from Stan Brakhage, 11/66. Reprinted by Permission of Stan Brakhage.” Wide Angle 19 (1997): 187. Print.
—. “Letter to Amos Vogel from Stan Brakhage, 3/25/57.” Wide Angle 19 (1997): 76–77. Print.
—. “Letter to Amos Vogel from Stan Brakhage, 3/27/56.” Wide Angle 19 (1997): 59–60. Print.
—. “Letter to Amos Vogel from Stan Brakhage, 5/13/57.” Wide Angle 19 (1997): 78–79. Print.
—. “Letter to Amos Vogel from Stan Brakhage, 7/28/57.” Wide Angle 19 (1997): 80. Print.
—. “On Canadian Painting and Cinema.” Canadian Journal of Film Studies 14.1 (2005): 84–100. Print.
—. “Program Notes by Stan Brakhage for His ‘Reflections on Black,’ Shown in April, 1956.” Wide Angle 19 (1997): 61. Print.
—. “The Life and Work of Abel Gance.” Literature Film Quarterly 9.1 (1981): 66. Print.
de Bruyn, Dirk. “Outside the Outside: Experimental Film in 1975.” Metro Spring 2006 : 172–173. Print.
Cantrill, Arthur. “Film at Wit’s End, Eight Avant-garde Filmmakers, by Stan Brakhage [Book Review].” Cantrill’s Filmnotes (1992): 52. Print.
—. “I… Sleeping (being a Dream Journal and Parenthetical Explication), by Stan Brakhage [Book Review].” Cantrill’s Filmnotes (1989): 70. Print.
Cohen, Marty. “The ‘b’ Movies.” Parnassus: Poetry in Review 22 (1997): 203–219. Print.
Cohen, Phoebe. “Brakhage’s I, II, and III.” Millennium Film Journal 7-9 (1980): 234–237. Print.
—. “Brakhage’s Sincerity III.” Millennium Film Journal 4/5 (1979): 153–156. Print.
Cranny-Francis, Anne. “Touching Film: The Embodied Practice and Politics of Film Viewing and Filmmaking.” Senses & Society. July 2009 : 163-78. Print.
“Dear Stan.” Millennium Film Journal. Fall 2003 : 96-7. Print.
Deming, Richard. “Collage, Collaboration, and Material Quotation: The Scrapbooks of Jane Wodening and Stan Brakhage, 1962-66, in the Beinecke Library.” Yale University Library Gazette. Oct. 2006 : 27-41. Print.
DEMING, RICHARD. “454’33’’.” Artforum International 48.10 (2010): 107–108. Print.
Dieckmann, Katherine. “Film: Visions of Excess.” Village Voice 33 (1988): 72. Print.
Dimendberg, Edward. “‘These Are Not Exercises in Style’: Le Chant Du Styrène.” October. Spring 2005 : 63-88. Print.
Elder, Bruce. “Brakhage Reminiscences.” Millennium Film Journal Fall 2003 : 87. Print.
Elder, Kathryn. “STOll BRAKHAGE: A ‘QUILLER’ MAN.” Millennium Film Journal 41 (2003): 83–84. Print.
Elder, R. Bruce. “GOETHE’S FAUST, GERTRUDE STEIN’S DOCTOR FAUSTUS LIGHTS THE LIGHTS, AND STAN BRAKHAGE’S FAUST SERIES.” Canadian Journal of Film Studies 14.1 (2005): 51–68. Print.
Evans, Gareth. “Wholly Attending.” Vertigo (09687904) 3.7 (2007): 47–49. Print.
“Events & Screenings.” Release Print. 2005. 10. Print.
“Fausts.” Millennium Film Journal. Fall 2007 : 93-106. Print.
“Fearful Symmetry.” Millennium Film Journal 47-49 (2007): 118–126. Print.
Fox, Michael. “The Avant-’70s.” Release Print 29.6 (2006): 56–57. Print.
—. “The Avant-’70s.” Release Print 29.6 (2006): 56–57. Print.
Frazer, John. “Two Books on Georges Méliès.” Quarterly Review of Film Studies 4.4 (1979): 483–490. Print.
Friedberg, Anne. “Misconception = the ‘Division of Labor’ in the Childbirth Film.” Millennium Film Journal 4/5 (1979): 64–70. Print.
Friedman, Bernard. “The EFC Arrives: A National Coalition of Experimental Filmmakers.” Millennium Film Journal 14/15 (1984): 178–180. Print.
Friedrich, Su. “Radical Form: Radical Content.” Millennium Film Journal. Winter1989 1989 : 117-23. Print.
Ganguly, Suranjan. “All That Is Light.” Sight & Sound. Oct. 1993 : 20-3. Print.
—. “Stan Brakhage–The 60th Birthday Interview.” Film Culture. Summer 1994 : 18-38. Print.
Gehman, Chris. “A Garden of Earthly Delights.” Cinema Scope (2003): 31–34. Print.
Van Gelder, Lawrence. “At the Movies.” New York Times 138 (1989): CC8. Print.
Grauer, Victor A. “Brakhage and the Theory of Montage.” Millennium Film Journal (1998): 105–129. Print.
Grimes, William. “A Film Maker in the Avant-garde for 40 Years.” New York Times 142 (1993): 11–12. Print.
Gunning, Tom. “Towards a Minor Cinema: Fonoroff, Herwitz, Ahwesh, Lapore, Klahr and Solomon.” Motion Picture 3 (1989): 2–5. Print.
Guttenplan, Howard. “A Remembrance for Stan Brakhage.” Millennium Film Journal 41 (2003): 94–95. Print.
—. “Introduction.” Millennium Film Journal 47-49 (2007): 2–3. Print.
Herbert, Daniel. “Essential Brakhage: Selected Writings on Filmmaking.” Film International (16516826) 2.7 (2004): 49–50. Print.
Higgins, Gary, Rodrigo Garcia Lopes, and Thomas Connick. “Grisled Roots.” Millennium Film Journal (1992): 56–66. Print.
Hoberman, J. “A Modern Hero.” Village Voice 2003 : 105. Print.
—. “Artists and Models.” Village Voice. 16 Feb. 1999 : 143. Print.
—. “Back Stories.” Village Voice. 4 May 1999 : 113. Print.
—. “Blast from the Past.” Village Voice. 9 Feb. 1993 : 53. Print.
“How THEY WERE LOVING I THINK EVERYTHING SHOULD BE SEEN.” Millennium Film Journal. Fall2007 2007 : 4-25. Print.
“I Did Not Want to Photograph My Life Anymore.” Millennium Film Journal. Fall2007 2007 : 107-16. Print.
“Interview with Stan Brakhage.” Millennium Film Journal. Fall 2007: 161-78. Print.
James, Caryn. “Film Festival: An Avant-garde Clash of Two Kinds of Laws.” 1 Oct. 1988 : 161-78. Print.
James, David. “BRAKHAGE, SPOKEN IN MEMORY, 17 MARCH 2003.” Millennium Film Journal Fall 2003 : 81–82. Print.
—. “Peregrinations of the Avant Garde: The Chelsea Girls Go to Russia.” Millennium Film Journal 38 (2002): 9–18. Print.
James, David E. “Amateurs in the Industry Town: Stan Brakhage and Andy Warhol in Los Angeles.” Grey Room. Summer 2003 : 80-93. Print.
Jamieson, Dale. “Rocky Mountain Formalism: Avant-Garde Film in Colorado.” Millennium Film Journal 12 (1982): 29–35. Print.
Jones, Elizabeth. “Locating Truth in Film, 1940-1980.” Post Script 6.1 (1986): 53–65. Print.
Jordan, Lawrence. “My Travels with Stan.” Millennium Film Journal 41 (2003): 76. Print.
Keller, Marjorie. “Brakhage Once and Again.” Quarterly Review of Film Studies. Vol. 9. 1984. 348–352. Print.
Kelly, Robert. “BRAKHAGE, SPOKEN IN MEMORY, 17 MARCH 2003.” Millennium Film Journal Fall 2003 : 80–81. Print.
Kurcewicz, Gregory. “Northern Light.” Vertigo . Spring 2004 : 34-5. Print.
Larson, Jess et al. “Obituaries.” Daily Variety 13 Mar. 2003 : 28. Print.
Lehner, Marla. “Essential Brakhage. Stan Brakhage [Book Review].” Independent (Foundation for Independent Video & Film) 24 (2001): 43. Print.
Lehrer, Jeremy. “Stan Brakhage.” Independent (Foundation for Independent Video & Film) 21 (1998): 16–17. Print.
“LETTERS/PROGRAM NOTES/PHOTOGRAPHS – 1980’S.” Millennium Film Journal 47-49 (2007): 78–92. Print.
“LETTERS/PROGRAM NOTES/PHOTOGRAPHS – 2001.” Millennium Film Journal 47-49 (2007): 156–160. Print.
Loewenstein, Lael. “Keepers of the Frame.” Variety Movie Reviews 72 (1999): 1. Print.
MacDonald, Scott. “Nathaniel Dorsky and Larry Jordan on Stan Brakhage, Maya Deren, Joseph Cornell, and Bruce Conner.” Quarterly Review of Film & Video Jan. 2007 : 1–10. Print.
—. “The Filmaker as Visionary: Excerpts from an Interview with Stan Brakhage.” Film Quarterly. Spring 2003 : 2-11. Print.
Marchessault, Janine. “In Search of It All.” Cineaction 10 (1987): 6–12. Print.
Mekas, Jonas. “A Remembrance for Stan Brakhage.” Millennium Film Journal 41 (2003): 92–93. Print.
“Memories.” Vertigo (UK) 2 (2003): 8. Print.
Metz, Walter. “From Jean-Paul Belmondo to Stan Brakhage: Romanticism and Intertextuality in Irma Vep and Les Misérables.” Film Criticism 27.1 (2002): 66–83. Print.
Michelson, Annette. “Stan Brakhage (1933-2003).” October. Spring 2004 : 112-15. Print.
Morris, Stephen. “Hypnogogic Visionary.” Cinema Scope (2000): 23–25. Print.
“Mortality.” Millennium Film Journal. Fall 2007 : 144-54. Print.
Muse, John. “The Baby Lost and Found.” Cinematograph 3 (1988): 9–22. Print.
“OJ Simpson and the Democracy of the Whole Organism.” Millennium Film Journal. Fall 2007 : 129-40. Print.
Palmer, Liza. “By Brakhage — An Anthology.” Film International (16516826) 2.7 (2004): 64. Print.
“Passings.” International Documentary May 2003 : 48. Print.
Perez, Gilberto. “Film in Review.” Yale Review 87.4 (1999): 173. Print.
Peters, Elizabeth. “An Adventure of Perception.” Independent (Foundation for Independent Video & Film) 26 (2003): 9–10. Print.
Picard, Andréa. “THE VIENNALE’S INCENDIARY FRAMES.” Cinema Scope 25 (2006): 63–66. Print.
Pruska-Oldenhof, Izabella. “THE AESTHETICS OF MENACE: Stan Brakhage, Tom Thomson, and the Group of Seven.” Canadian Journal of Film Studies 14.1 (2005): 26–50. Print.
Quandt, James. “As He Lay Dying.” Artforum International. Apr. 2006 : 81-4. Print.
Remy, Jorge David. “Film at Wit’s End: Eight Avant-garde Filmmakers. Stan Brakhage [Book Review].” Cinema Papers (1992): 67. Print.
Sachs, Lynne. “Thoughts on Birth and Brakhage.” Camera Obscura 22.64 (2007): 194–196.
Schiff, Lillian. “Akerman, Chantal.” St. James Women Filmmakers Encyclopedia. Dec. 1999 : 4-5. Print.
Serra, M. M. “Flowers for Brakhage.” Millennium Film Journal 41 (2003): 89–90. Print.
Sharrett, Christopher. “‘Any Fool Can See for Himself’: Notes on Brakhage’s Scrapbook*.” Millennium Film Journal 14/15 (1984): 23–28. Print.
—. “Brakhage’s Dreamscape.” Millennium Film Journal 6 (1980): 43–49. Print.
Shaw, Tate. “Electro-fying the Midwest.” Afterimage 33.2 (2005): 21. Print.
Sheehan, Rebecca A. “Stan Brakhage, Ludwig Wittgenstein and the Renewed Encounter with the Everyday.” Screen 53.2 (2012): 118–135. Print.
Sitney, P. Adams. “Autobiography in Avant-Garde Film.” Millennium Film Journal 1.1 (1977): 60–105. Print.
—. “Celluloid Hero.” Artforum 42 (2003): 41–42. Print.
—. “Robert Beavers: Observing and Directing Wingseed.” Millennium Film Journal 32/33 (1998): 44–51. Print.
—. “The Films of Stan Brakhage in the American Tradition of Ezra Pound, Gertrude Stein, and Charles Olson. R. Bruce Elder [Book Review].” Canadian Journal of Film Studies 8 (1999): 83–87. Print.
Smith, Gavin. “Vidi Vidi Vidi.” Film Comment 36.3 (2000): 78. Print.
Solomon, Phil. “A Remembrance for Stan Brakhage.” Millennium Film Journal. Fall 2003 : 90-92. Print.
“Some Arguments.” Millennium Film Journal 47-49 (2007): 64–76. Print.
“Stan Brakhage at Millennium: November 4, 1977.” Millennium Film Journal 16-18 (1986): 297–307. Print.
“Stan Brakhage on Marie Menken.” Film Culture 78 (1994): 1. Print.
Stratton, David. “In the Mirror of Maya Deren.” Variety Movie Reviews (2002): 1. Print.
Taylor, Gregory T. “‘The Cognitive Instrument in the Service of Revolutionary Change’: Sergei Eisenstein, Annette Michelson, and the Avant-garde’s Scholarly Aspiration.” Cinema Journal 31 (1992): 42–59. Print.
—. “‘The Cognitive Instrument in the Service of Revolutionary Change’: Sergei Eisenstein, Annette Michelson, and the Avant-Garde’s Scholarly Aspiration.” Cinema Journal 31.4 (1992): 42–59. Print.
Testa, Bart. “LATE AND SOMEWHERE FIRM: Notes on Stan Brakhage’s Vancouver Island Films.” Canadian Journal of Film Studies 14.1 (2005): 12–25. Print.
—. “The Two Religions of Avant-garde Film, or Maybe Three.” Canadian Journal of Film Studies 3 (1994): 89–100. Print.
Toscano, Mark. “Archiving Brakhage.” Journal of Film Preservation 72 (2006): 13–25. Print.
Traynor, Cian. “Looking for Life: Cian Traynor Interviews Vincent Moon.” Film International (16516826) 6.3 (2008): 56–59.
Varela, Willie. “We Will Not Go Quietly: Some Thoughts on the Avant-Garde, Then and Now.” Journal of Film & Video 57.1/2 (2005): 3–8. Print.
“We Are All Burning.” Millennium Film Journal. Fall 2007 : 26-43. Print.
Wees, William C. “A SENSE OF SIGHT: A Special Issue Devoted to Stan Brakhage.” Canadian Journal of Film Studies 14.1 (2005): 2–4. Print.
—. “Words and Images in Stan Brakhage’s 23rd Psalm Branch.” Cinema Journal 27.2 (1988): 40–49. Print.
White, Jerry. “BRAKHAGE’S TARKOVSKY AND TARKOVSKY’S BRAKHAGE: Collectivity, Subjectivity, and the Dream of Cinema.” Canadian Journal of Film Studies 14.1 (2005): 69–83. Print.